Soprano
STOPINA Irina
Irina’s journey into the world of music and theater is a fascinating one, marked by a diverse and impressive array of experiences. Her initial studies in mathematics laid a strong intellectual foundation, but it was her passion for the dramatic arts and vocal music that shaped her artistic path. After gaining extensive theatrical experience across national stages such as Perpignan and Nîmes, as well as iconic venues like Théâtre de Paris, she honed her skills further with vocal studies in Albi and Paris, refining her technique under Lionel Sarrazin.
Her mezzo-soprano voice, initially, and her transition toward the soprano lirico-spinto voice, has allowed her to take on roles such as the Countess in *Le Nozze di Figaro* with the Orchestre Philharmonique d'État de Timisoara, Donna Anna in *Don Giovanni* with the Orchestre de l'État d'Arad, and Micaëla in *Carmen* with the Orchestre d'Aquitaine.
Irina’s interpretation of Métella in *La Vie Parisienne* at the Operas of Metz and Massy in 2020 marked a significant milestone in her career, showcasing her vocal versatility and theatrical presence. Additionally, her recital at the Opéra de Bordeaux, which focused on early 20th-century female figures, solidified her as a sought-after performer in the French opera scene.
Her foray into oratorio has been equally fruitful, with standout performances in works like Bach and Vivaldi’s *Magnificat*, Rossini’s *Stabat Mater*, and Mozart’s *Exsultate Jubilate*. She also made a notable contribution to the creation of the *Libre Cour* festival in Gironde during the pandemic, a project that was widely acclaimed.
Currently, Irina has been busy portraying a variety of roles, including the Baroness in *Un Chapeau de paille d’Italie* by Nino Rota at the Opéra de Metz, and preparing for her debut as Violetta in *La Traviata* at the Festival de l'Eure poétique et musicale. Her future plans include performing the role of the Princess Foreign in *Rusalka* at several prestigious French opera houses, and Leonora in *Il Trovatore* at the Opéra de Québec.
Irina is certainly an artist to watch, as she continues to expand her repertoire and gain acclaim for both her vocal ability and theatrical expertise.
Irina Stopina’s portrayal of the *Princesse étrangère* in *Rusalka* has garnered widespread praise, with critics highlighting her formidable vocal prowess and commanding stage presence. Her dramatic soprano voice, with its velvety middle register and shimmering high notes, shines through particularly in the role of the foreign princess, a character requiring both vocal strength and an intense, seductive aura.
The reviews celebrate her ability to confront the challenges of this dramatic soprano role, with particular mention of her ability to overpower the orchestra during her entrance in Act II, a moment of breathtaking intensity. Her ability to merge vocal technique with expressive acting has captivated audiences, as she perfectly captures the essence of the femme fatale with a performance that is as visually striking as it is vocally compelling. Critics have marveled at her "authority" on stage and the "imperative" nature of her portrayal, noting how her playing of the role remains poised, seductive, and deeply theatrical.
The specific mention of her ability to maintain long, seamless legatos and her impressive vocal range speaks to her technical mastery, while her "superb éclat" in high notes adds a sparkling brilliance to her performances. Irina Stopina’s performance has been a true revelation in this role, with her charismatic stage presence and vocal qualities earning her enthusiastic applause from both audiences and critics alike.
Irina’s work continues to be a testament to the power of the voice and its dramatic potential, marking her as an artist of great distinction in the world of opera.
STOPINA Irina
Médias
