Baryton
ISAEV Aleksei
Born in Tver, Russia, the young baritone Aleksei Isaev studies at the Gnessin Academy of Music in Moscow.
In 2011, he becomes soloist at the prestigious Helikon Theater in Moscow, where he performs a wide repertoire : Eugen Oneguin, Prince Yeletsky and Tomsky (The Queen of Spades), Conte di Luna (Il Trovatore), Silvio (Pagliacci), the title role of Demon by Rubinstein, Escamillo (Carmen), Conte d’Almaviva (Le Nozze di Figaro)…He sings Germont (La Traviata) at the Tchaïkovski Hall in Moscow.
Abroad, he is Renato (Un Ballo in maschera) and Griaznoï (The Tsar’s Bride) at the Tallinn Opera House, as well as Enrico (Lucia di Lammermoor) at the Dresden Semperoper. He also sings Iago (Otello) at the Staatstheater Wiesbaden alongside Gregory Kunde.
In January 2020, he jumps in as the title role of the Demon at the Grand théâtre de Bordeaux (France) and therefore makes his debuts in France.
After the pandemic, he sings Scarpia and Aleko at the Helikon Theater, Conte di Luna in Wiesbaden, as well as Germont in Helsinki.
In October 2022, he receives great appraisal for his participation as Vodnik (Rusalka) at the Capitole de Toulouse, a role he returns to in February 2023 for his debut at Covent Garden under the baton of Simon Bychkov
His international career then takes the fast track. At the Royal Opera House Covent Garden, he sings Carlo Gérard (Andrea Chénier) alongside Jonas Kaufmann and Sondra Radvanovsky and Scarpia opposite Sonya Yoncheva and Yusif Eyvazov, the Conte di Luna, a role he reprises in Hamburg, Iago in Dresden, a tour of concerts with the Nordwestdeusche Phihamonie and Moussorvski before singing Hermann (Catalani's Lorelei) at the Concertgebouw in Amsterdam.
Last season saw his Munich debuts with Sharpless (Madama Butterfly) at the Bayerische Staatsoper, where he returns with Iago this season. He makes highly appraised debuts as the Dutchman (Der fliegende Holländer) at the Capitole de Toulouse, his Torino debuts as Gérard (Andrea Chenier) and received great appraise this summer as Conte di Luna alongside Anna Netrebko at the prestigious “Chorégies d’Orange”
Next season, engagements include Iago (Verdi Otello) with the Bayerische Staatsoper on tour, Germont (Traviata)at Covent Garden, Tonio (Pagliacci), Alfio (Cavalleria Rusticana) debuts at La Monnaie in Brussels as Scarpia ….
Adagio artists
"Another remarkable Russian voice, baritone Aleksei Isaev made a strong impression as Count di Luna: his deep timbre, vocal consistency across registers, and dark hues supported by vigorous phrasing all contributed to a powerful portrayal of this relentless character — particularly in his aria ‘Il balen del suo sorriso’, which was deservedly acclaimed." (Opera Online)
"The Russian bass-baritone Aleksei Isaev delivers a deeply moving, even heartbreaking, Ondin, which won the public's favor. Swimming or crawling on the ground, his emphasis never breaks the vocal line of the Romantic school." (Première Loge)
"Another great ovation goes to Aleksei Isaev's Vodnik, making his debut in Toulouse. First, let's praise his ability to constantly be in or under the water! Above all, he brings a much-needed warmth: his Běda! Běda! in Act II is stunning, a heartfelt cry filled with all the love a father can feel for a daughter he sees losing herself." (Forumopera)
"Dedicated to the Russian baritone Aleksei Isaev, who had already stunned us during his first appearance at the Capitole in the role of Vodnik (*Rusalka* – October 2022), this concert, unlike most previous ones, was composed of opera arias. What we discover today is the rare voice of a true dramatic baritone, a range flirting with that of a bass-baritone, even a bass-baritone. The projection is impressive across all registers, all perfectly unified; the low notes sound commanding, and the high notes retain the autumnal harmonics of this baritone-like color. This last point is the infallible sign of a perfectly placed voice. His Vodnik made us suspect it. Now there is no doubt. This young man in his thirties, celebrating his 35th birthday on stage during this concert, will very soon become an Amonasro, a Nabucco, and perhaps, to begin with Wagner, a Dutchman—and why not his companion in color and range: Telramund." (ClassicToulouse)
ISAEV Aleksei
Médias
