A lyric artist originally from Lyon, she began her training at the Conservatoire and the Maîtrise of the Opéra de Lyon, where she studied dance and piano and took her first steps on stage. She later continued her studies at the CNSMD de Lyon in the classes of Sophie Marin-Degor, Hélène Lucas and Nobuyoshi Shima.
She then joined Wilfrid Laurier University (Waterloo, ON, Canada), studying with Leslie Fagan, where she joyfully discovered the English-language operatic repertoire. After obtaining the Diplôme d’Études Vocales from Notre-Dame de Paris, she pursued further vocal training with Valérie Guillorit at the Royal Flemish Conservatory, as well as at the Opéra Studio of La Monnaie / De Munt.
She performs regularly in French and Belgian opera houses, notably in Offenbach roles (Alexis, Oreste, Cupid) under the direction of Enrique Segura. She has also appeared alongside Les Paladins – Jérôme Correas as Liesgen in Bach’s Coffee Cantata at the Opéras of Massy and Nantes, and as Meg Page in Falstaff with the MM Academy of La Monnaie / De Munt. Her recent roles include Musetta (La Bohème) at Forges Opéra, Second Woman (Dido and Aeneas) at the Opéra Royal de Versailles conducted by Stéphane Fuget, and Eurydice in Gluck’s Orphée et Eurydice with the orchestra Des Cybèles in Lyon.
As part of the Udo Reinemann International Masterclasses, she gave a recital of mélodies and lieder at La Monnaie / De Munt. She was also soprano soloist in Caldara’s Laudate Pueri with Amici miei, and in César Franck’s The Seven Last Words of Christ on the Cross, conducted by Éloïse Magat.
She distinguished herself at the 2025 Clermont-Ferrand International Opera Competition, winning two prizes (Messiah and Dido and Aeneas), and is also a laureate of the Royaumont Foundation.
During the current season, she appeared as Daphne (Actéon, Charpentier) in a production of the Académie de l’Opéra Royal de Versailles conducted by Chloé de Guillebon. With the Il Caravaggio Studio – Camille Delaforge, she recorded the role of the Statue (Pygmalion, Rameau), performed as a soloist in the recital Mi palpita il cor at the Saint-Denis Festival, and sang the role of the Gypsy Woman (Le Carnaval de Venise, Campra) on a French tour with La co(opéra)tive, appearing notably at the Opéras of Rennes, Nantes and Compiègne, where she also performed the role of Minerva.
In 2026, she will appear as soprano soloist in Der Messiah (Handel and Mozart), a production of the Opéras of Limoges and Clermont-Ferrand, staged by Lodie Kardouss and conducted by Nicolas André. She will also sing the title role in Cendrillon by Pauline Viardot with La co(opéra)tive at the Scène nationale de Dunkerque, perform as soprano soloist in Purcell’s The Fairy Queen, and sing the roles of the First Witch and Second Woman in Dido and Aeneas with Ensemble Les Surprises, touring until 2027, including performances at the Opéras of Bordeaux, Compiègne and Clermont-Ferrand.

Adagio Artists